These transitional mouthpieces were the first to use the new facing machine which sported a grinding wheel. They are known as the Otto Link double band mouthpieces. Two different cap designs were produced.
On the left side we see the Tone Master, NY Super” Tone Master and the Florida Super Tone Master box. It had a larger chamber and lower baffle than the later models with the tip opening on the side.
Open quick view dialog for Otto Link Metal New York Series Tenor Saxophone Mouthpiece Otto Link Metal New York Series Tenor Saxophone Mouthpiece 4.5 of 5 stars (37 Reviews) This is ‘limited edition’ model.The Four Star Model used a strap type ligature which would become a trademark of Otto Link mouthpieces. Otto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece for exceptional style and sound. The company (JJ Babbitt) was founded by Mr Jessie James Babbitt and his family in 1919 and is still family owned and operated. The first pieces had a very long body, but were converted back to a traditional length after several years.These metal models have silver under the gold plating and a large tip opening font stamped on the shank. These lines were from the sandpaper used to flatten the tables and put the facing on.
One important thing to be aware of is that the response you get from any two saxophone mouthpieces with the same tip opening can vary enormously. However, these mouthpieces still retained the very long and deep facing, which curtailed their responsiveness. Nickel is much harder, and lasts a lot longer. Unfortunately, if a specific size or model is not listed, we do not have it available at this time. Interestingly, they tended to play best with small tip openings. This made them very bright. They were the best sounding of all vintage Otto Link ligatures due particularly to the reed plate design which was quite thin.In 1955 Otto Link moved to Pompano Beach, Florida.
You could send in a mouthpiece to get the tip opening changed or copy the facing from another mouthpiece.This version of the Slant Signature Tone Edge added USA to the shank.
The metal soprano pieces moved permanently to a very small chamber, providing a brighter sound.They were also faced with the new grinding wheel, leaving very distinctive denim like patterns on the table of the mouthpiece.The ligature on these mouthpieces was quite different once again. Ideally to compare mouthpieces you would also want to be comparing the In reality, what this means is that just because, for instance, you are comfortable with an Otto Link 7*, you may not find that every other 7* or .105 tip opening will be suitable.If the facing length is longer on a different mouthpiece of the same tip opening, there is a good chance that you might find it more easy blowing. They had more material in the baffle and floor than any other Otto Link ever made, creating a unique sound. This first version was only made up to a 6.
Joseph Allard was a professor at the Juilliard School of Music.Otto Link started putting nickel plating under the gold, instead of silver. The metal mouthpieces made in Florida looked like the earlier SUPER TONE MASTER ‘Double Band’ models with a few exceptions. This is where you will find all of our discontinued, used, demo, blemished and factory second pieces.
Instead of using the longer facings with smaller tip openings (like the NY models), Otto Link started producing their mouthpieces with medium facings, allowing for the bigger tip openings.The first versions had a very shallow roll-over baffle (like the NY Otto Links).
The first SUPER TONE MASTER mouthpieces were made in New York, as shown on the shank. Though they also made a H.S.
Your information is safe and will never be shared.musicians with severe loss of income due to COVID-19All about Pete, biography, credits, press discographyArrange a one to one consultancy/lesson in saxophone, improvising, composingFind out about our very lively saxophone discussion forum at CafeSaxophone.comLike most sites, we use cookies to ensure that we give you the best experience on our website. The window was narrower at the tip, adding a bit more focused sound than the earlier Florida models.
They had a larger font number stamped on the side of the body like the Early Babbitt models though. This is because tip opening alone is only one part of the story. The tenors all had a T on the back, while the altos had an A on the back. USA version with number on the side:Here is an Ad showing the mouthpiece Lineup at the time of Otto Link Tone Edge mouthpieces. , Later models replaced the slide on ligature came with the same band ligature as the FOUR**** MODELS (see below).These mouthpieces have a very low baffle, a huge chamber and typically a very small tip opening (usually a 3 or 4) with a long, deep facing. Larger tip openings started hitting the market this time as well; these were made up to a size 9.From left to right: 1. The one shown below still has New York written on the shank and the serial number on the side. These mouthpieces were made in New York and had a bit more projection then the older models. Notice now that larger tip openings are offered:Otto Link had two similar styles of ligatures for the NY and Florida mouthpieces. The hard rubber tenor pieces are darker sounding and have an almost concave area directly behind the initial baffle.
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