""The process is the product, the medium is the message and the status is not quo. You may unsubscribe at any time by clicking on the provided link on any marketing message. Yvonne Rainer Revives Her ‘Mattress Monster’ Dance In collaboration with Emily Coates, the choreographer has reconstructed the rarely seen 1965 “Parts of Some Sextets” for Performa. In the 1960s, a group of artists started experimenting with choreography based on ordinary movement and improvisation.
Dancer, choreographer, filmmaker, and writer Yvonne Rainer (American, b. Yvonne Rainer's Parts of Some Sextets (AKA "the mattress dance") hasn't been revived since it premiered in 1965. The performance program features eight dances by Rainer, including her earliest works, Three Satie Spoons (1961) and Three Seascapes (1962), in which she explores various relationships between movement …
She has never been popular but she has, for a very long time, been influential.Born in San Francisco in 1934, Yvonne Rainer had an unconventional and contradictory upbringing. ""Lots of people at that time were doing process-driven, task-oriented dance with natural movement. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. At 28, she changed dance forever. 2, American Theatre: Fission/Fusion (1981), pp. Rainer grew up, along with an older brother, in the Sunset district of San Francisco that she describes as "a neighborhood of white Protesta… Since the beginning of her career in the early 1960s, Yvonne Rainer (American, b. A striking example of this is Rainer’s In our current COVID-19 quarantine conditions, artists working in all media are searching for new ways of connecting with their audiences. Yvonne Rainer, American avant-garde choreographer and filmmaker whose work in both disciplines often featured the medium’s most fundamental elements rather than meeting conventional expectations. Get your fix of JSTOR Daily’s best stories in your inbox each Thursday. 1934) has challenged many of the movement conventions and narrative structures of modern dance. Now your living room is the stage.In our current COVID-19 quarantine conditions, artists working in all media are searching for new ways of connecting with their audiences. ""Shouldn't they point their feet? Area 46… Published on Fri 24 Dec 2010 08.12 EST. San Francisco, city and port, coextensive with San Francisco county, northern California, U.S., located on a peninsula between the Pacific Ocean and San Francisco Bay.
Her work has been foundational across multiple disciplines and movements: dance, cinema, feminism, minimalism, conceptual art, and postmodernism. © 2020 Guardian News & Media Limited or its affiliated companies. An artist who is anti-art, an activist who is also an aesthete, Yvonne Rainer is a combative, contrarian and confounding figure whose work has crossed from choreography to cinema and back again. In the next two years, I performed in her WAR and Grand Union Dreams and saw many performances by the Grand Union, the improvisational troupe she founded. Her star then shined on country's biggest stage.Some writers see contagion as a metaphor for community—proof that we exist within an interdependent network and not as autonomous disconnected islands. Catterson still works with Rainer as part of a multi-generational group of dancers that includes Sally Silvers, Patricia Hoffbauer and Emily Coates.When Rainer was recovering from her suicide attempt, one of her dancers, Pat Catterson, brought Rainer's students to the hospital and they "No to spectacle no to virtuosity no to transformations and magic and make believe no to glamour and transcendency of the star image no to the heroic no to the anti-heroic no to trash imagery no to involvement of performer or spectator no to style no to camp no to seduction of spectator by the wiles of the performer no to eccentricity no to moving or being moved. Yvonne Rainer is a New York City–based choreographer who was a leading member of Judson Dance Theater, the 1960s avant-garde dance collective that rejected modern dance. ""One of the most iconoclastic choreographers of her generation.
From 1962 to 1964, from their headquarters at the Judson Memorial Church in Greenwich Village, members of Judson The Judson Dance Theater’s esthetic was never a monolithic one: Based on the premise that anything goes, it was deliberatively undefined and unrestricted.
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